Name: Mary Poppins
Start: 2019-10-23
End: 2023-01-08
Location: Prince Edward Theatre

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Mary Poppins [15047] - LON 

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Mary Poppins

[Poster] Mary Poppins 15047

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Born in London in 1993, Charlie Stemp has rose to prominence as one of the West End’s leading male actors, best known for starring in [*Half a Sixpence*](https://www.londontheatre.co.uk/show/2612-half-a-sixpence) and [*Mary Poppins*](https://www.londontheatre.co.uk/show/15047-mary-poppins).

Growing up in Peckham, Stemp showed interest in the performing arts from a young age, attending musical theatre classes at Belcanto London Academy Theatre School. After professional training at Laine Theatre Arts, Stemp’s West End debut came in 2013 as an ensemble member in [*Wicked*](https://www.londontheatre.co.uk/show/15047-mary-poppins).

His first lead role came in 2016, when he was cast in a new production of [*Half a Sixpence*](https://www.londontheatre.co.uk/show/2612-half-a-sixpence) at Chichester Festival Theatre. After critical praise, the musical transferred to the [Noel Coward Theatre](https://www.londontheatre.co.uk/theatres/noel-coward-theatre) where it played for a year. For his performance as Arthur Kipps, Stemp received his first Olivier nomination for Best Actor in a Musical.

Away from the West End, Stemp has played Eddie in the international tour of [*Mamma Mia!*](https://www.londontheatre.co.uk/show/mamma-mia) as well as making his Broadway debut in *Hello, Dolly!*. He took over the role of Barnaby Tucker in 2018 from Taylor Trensch, starring in the production for six months until the show closed in August 2018.

Stemp played Bert in the West End revival of [*Mary Poppins*](https://www.londontheatre.co.uk/show/15047-mary-poppins) at the [Prince Edward Theatre](https://www.londontheatre.co.uk/theatres/prince-edward-theatre), receiving his second solo Olivier nomination for his portrayal. He will then play Bobby in *Crazy For You.*

Charlie Stemp - LON

Half a Sixpence [2612]

Half a Sixpence

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**Noël Coward Theatre** is a popular venue in the heart of London that continues to draw audiences with its excellent choice of productions. This theatre is a prominent part of London's cultural fabric and has been a part of the city's arts scene since its opening in 1903. Named after the renowned playwright, Noël Coward, it was formerly known as the Albery Theatre. The theatre has a remarkable capacity of 872 seats, offering a fascinating range of viewing experiences. The venue is well-known for its diverse productions, ranging from musicals to classic plays and modern dramas. Past productions include 'Half a Sixpence', 'The Vortex', and 'Deathtrap'. The Theatre's design is a delightful blend of tradition and modernity, mirroring the diverse array of productions it hosts. The richly decorated interior adds to the sensory experience, making viewing a performance here a complete theatrical event. 

 **How to Get There** 
 The theatre is located in St Martin's Lane, a short walk from Leicester Square and Covent Garden tube stations. This makes the venue quite easily accessible by public transportation. There are also numerous bus routes which stop nearby. For patrons driving to the venue, there is a car park nearby in Chinatown. The theatre also offers bicycle racks for those who prefer to cycle.

Noël Coward Theatre - LON

Noël Coward Theatre

The Noël Coward Theatre is a prominent London venue known for diverse theatrical productions; accessible via public transportation, parking, and cycle.

Ages 7+. Under 16s must be accompanied by and sat next to an adult (18+). Children under 5 years will not be admitted. All persons attending, regardless of age, must have a ticket.

Wicked - LON [313]

Wicked

Wicked - LON [313]  Product Media

As Glinda descends from the rafters in her bubble, the audience cheers immediately. As Elphaba defies gravity as she flies over the stage, the audience gasps with disbelief. It’s impossible not to be swept away in *Wicked*’s pure theatricality. More than 15 years after Wicked flew into the West End, the Olivier Award-winning musical is still an evening of sheer musical theatre bliss. 

Over 11 million people have visited the land of Oz across 6,000 performances and counting. The musical has won 13 awards, including the Olivier Award for Most Popular Show, and *Wicked* has become one of the most successful musicals of all time. Often when a show has been playing for a long time, it can lose some of the initial magic, but *Wicked* is still as lively and dynamic as ever.

Based on Gregory Maguire’s prequel novel of the same name, *Wicked* imagines an Oz before Dorothy followed the yellow brick road, one in which the “Wicked Witch” Elphaba and the “Good Witch” Galinda are roommates at school. *Wicked* is a story of an unlikely friendship and how the truth isn’t always what meets the eye. Add spine-tingling ballads, a dragon, and stage magic into the mix, and Wicked sets the bar for what musical theatre can be.

Winnie Holzman’s multilayered book peels back L. Frank Baum’s *The Wizard of Oz* to shine more light on what happens along the way. Every time you watch Wicked, you’ll hear a new line, or see a new character approach that uncovers more information; it’s no wonder that Wicked fans — Ozians — visit the land of Oz dozens of times to unpick the hidden truths about the lion, the scarecrow, and the tin man.

*Wicked* wouldn’t be complete without [Stephen Schwartz’s influential score](https://www.londontheatre.co.uk/theatre-news/news/stephen-schwartz-musicals); and songs like “For Good” now transcend popular culture as pop stars, like Leann Rimes and Delta Goodrem, cover the iconic duet. But there’s no place like home, and that’s hearing Schwartz’s anthemic songs live, complete with a 23-piece orchestra. Pair Schwartz’s music with Wayne Cilento’s explosive choreography, especially in the show-stopping “Dancing Through Life” when the students go to their first dance, and Wicked is poetry in motion.

Eugene Lee’s intricate and moody scenic design extends into the auditorium, thanks to a giant smoking dragon and flying monkeys climbing up the walls. Kenneth Posner’s lighting design and Tony Meola’s sound design amplify the tension, especially when the animated wizard mask comes alive and the wizard’s booming voice reverberates around the auditorium. But there’s plenty of brightness too, especially in Susan Hilferty’s viridescent Ozian costumes and Galinda’s kaleidoscopic wardrobe.

Elphaba has become a coveted role for thousands of performers. From Idina Menzel winning the Tony Award for originating the role on Broadway to Kerry Ellis, Rachel Tucker, and Louise Dearman, each performer has put their own spin on the role and the iconic ballads: “The Wizard and I,” I’m Not That Girl,” “Defying Gravity,” and “No Good Deed”. Lucie Jones comes into her own as the green witch, deftly moving from frustration to sweetness to fury, as Elphaba navigates the world around her and quickly learns that not everyone means what they say. Helen Woolf is bubbly perfection as Glinda, with her sweet soprano and dry wit.

There’s something in *Wicked* for everyone. From the childlike wonder at the magical world of Oz to the political undertones about our leaders’ role in society to the universal message that true beauty lies within, *Wicked* leaves the audience with food for thought and also, wanting more. It’s no wonder that the musical has captured the hearts of so many over the years and will continue to do so for many years to come. *Wicked* is certainly here to stay in the West End for good. 

*Wicked is at the Apollo Victoria Theatre. Book Wicked tickets on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=1587&content_product_id=1587&venue_id=138)

‘Wicked’ review — the West End hit flies high at the Apollo Victoria Theatre 

Read our five-star review of *Wicked,* the Stephen Schwartz musical starring Lucie Jones and Helen Woolf, at the Apollo Victoria Theatre. Get *Wicked* tickets now.

“London’s No.1 show” (LBC) is back! Celebrating 16 triumphant years at the Apollo Victoria Theatre

The Apollo Victoria Theatre is a world-renowned venue located in the heart of London. Since its inception in 1929, the theatre has been staging a myriad of performances, constantly exuding a vibrant atmosphere. With its striking art deco interior and a capacity of 2,304, the theatre continues to provide a rich sensory experience for all attendees. The Apollo Victoria Theatre is especially famous for hosting long-lasting musicals including 'Wicked' which has been running since 2006. The theatre provides state-of-the-art sound and light systems which complement the dynamic and innovative performances that grace its stage. Its enviable location, in the vicinity of Victoria Station, makes it effortlessly accessible to both local and international patrons.

__Getting to the Venue__ 

The Apollo Victoria Theatre is conveniently located at 17 Wilton Rd, London. It can be easily reached by numerous means of public transportation. Victoria Station, which services the Victoria, District and Circle Lines, is just opposite the theatre. Numerous buses also stop near the theatre including routes 38, 73, 8, amongst others. For those preferring to drive, the theatre is part of the Q-Park Scheme offering a 50% discount on car parking in some locations.

__Additional information__

Venue opens 90 minutes prior to the performance with bars, kiosks and toilet facilities available.
Auditorium opens for seating 55 minutes prior to the performance.
Latecomers can only be admitted into the auditorium at a suitable break in the performance, which is approximately
25 minutes after curtain-up.

Apollo Victoria Theatre - LON

Apollo Victoria Theatre

The Apollo Victoria Theatre is a major London venue known for its long-running musicals, state-of-the-art facilities, and easily accessible location near Victoria Station.

<a href="/show/mary-poppins">Mary Poppins</a>, the eponymous airborne professional nanny of the PL Travers stories and the 1964 live-action Disney feature, has flown back into the West End, to the original home - the <a href="/theatres/prince-edward-theatre">Prince Edward Theatre</a> where this frequently stunning stage version first took flight back in 2004. And just as <a href="/show/mary-poppins">Mary Poppins</a>&nbsp;is on a magnificent mission to heal a divided family, so the show has returned at exactly the moment it is most needed, to heal a divided nation as we hurtle into yet another divisive election.But for nearly three hours, at least, you can park some of those worries at the door, and simply bask in the gentle familiarity and delightful uplift of this story and the spit-spot production it has been given (to quote a phrase that Mary Poppins applies to herself). She also repeatedly tells us, in a mellifluous new song that George Stiles and Anthony Drewe have embellished the original film score of the Sherman Brothers with, "I'm practically perfect, in every way."&nbsp; As played by the delightful Zizi Strallen, you take her at her word: it may be as much a threat as a promise, but she's also as mischievous as she is magnificent. Strallen, who inherits a role that her older sister Scarlett once also played on this same stage, has previously played it in a UK tour, and now owns it with complete poise and assurance.The original West End production ran for just three years, though its subsequent transfer to Broadway's New Amsterdam Theatre in 2006 ran twice as long. It always struck me as odd that it was never quite the monster hit it feels like it is; perhaps its luxurious return now will finally lend it the classic status it deserves.Reuniting the original creative team of co-directors Richard Eyre and Matthew Bourne, with co-choreography by Bourne and Stephen Mear, it is staged with spectacular assurance - a family show about a family that's as full of charm as it is full of spectacle and stand-out numbers. It has also been given a truly splendid cast throughout the ranks, with the luxury casting of veteran pop and stage star Petula Clark (who&nbsp;turns 87 on Friday) as Bird Woman, and West End regular Claire Moore as the formidable Miss Andrew, who provides an entirely different model of nannying.Besides Strallen, the other stand-out, of course, is Charlie Stemp as Mary's best friend Bert, the chimney sweep who has the show's most spectacular number "Step in Time", which calls for him to tap-dance his way around the entire proscenium arch, including upside down. Stemp, who first burst onto the London stage as a quirky leading man in <a href="/show/half-a-sixpence">Half a Sixpence</a> (also produced by Cameron Mackintosh) and subsequently took over on Broadway in <a href="/show/hello-dolly">Hello, Dolly!</a>, has an effortless grace and ready charm that's captivating.But then that's true of the entire production, from the bewitching pop-up toy theatre original set designs of Bob Crowley, now adapted by Ros Coombes and Matt Kinley,&nbsp; to enchanting performances from Adelaide Barham and Gabriel Payne as the Banks children Jane and Michael on the opening night, and lovely work from Joseph Millson and Amy Griffiths as their parents.The evening may have an old-fashioned feeling of a well-crafted book musical of the old school (there are times when I wondered if it was a show that had come from the stable of Lionel Bart). But it delivers a timeless experience, with songs like the Oscar-winning "Chim Chim Cher-ee", "A Spoonful of Sugar", and of course "Supercalifragilsticexpialidocious" (thrillingly staged as a massive production number).&nbsp; And it also has a bang up-to-date message: family always needs to come before money.<a href="/show/mary-poppins">Mary Poppins</a>&nbsp;is booking&nbsp;at the <a href="/theatres/prince-edward-theatre">Prince Edward Theatre</a>&nbsp;until 3rd May 2020.<a href="/show/mary-poppins">Mary Poppins&nbsp;tickets</a> are available now.Photo credit: Johan Persson

Review - Mary Poppins starring Zizi Strallen and Charlie Stemp at the Prince Edward Theatre

The Prince Edward Theatre, one of London's most celebrated theatrical venues, is located in the heart of the city's West End. Opened in 1930, the theatre boasts a rich history and an impressive architectural style with art deco influences. The theatre is famous for hosting ground-breaking productions, with a focus on large-scale musicals. Its 1600-seat auditorium is renowned for the spectacular performances it entertains, and for its elegant and lavish interior. Notable productions include 'Evita', 'Miss Saigon', and the current long-running 'Aladdin'. The theatre was considered special even during its inception, as it was the first theatre built on a steel frame giving it a wider, roomier feel. The Prince Edward theatre is a must-visit for anyone wishing to immerse themselves in the captivating world of London Theatre.

## How to Get to the Venue
The Prince Edward Theatre is situated at Old Compton Street, in London's bustling Soho district. It is well served by public transport. To get there, you can take the Tube to Leicester Square or Tottenham Court Road station, and then walk for about five minutes. Be aware that this is a particularly busy area of London, so it may be advisable to allow extra time for your journey.

Prince Edward Theatre - LON

Prince Edward Theatre

The Prince Edward Theatre in London's West End is renowned for its history, architecture and large-scale musicals. It is easily accessible via Tube.

Children under the age of 4 will not be admitted into the theatre. All persons aged 16 or under must be accompanied by an adult and may not sit on their own within the auditorium. All patrons, regardless of age, must have a valid ticket.

Crazy For You - LON [27116]

Crazy For You

Crazy For You - LON [27116] Product Media

The Gillian Lynne Theatre, formerly known as the New London Theatre, is a prestigious performance venue in the West End of London. Located in Covent Garden, the theatre is home to an array of world-class performances, ranging from musical theatre, plays, and concerts. The theatre was renamed in 2018, in honour of the renowned British ballerina and choreographer, Dame Gillian Lynne. The architecture of this unique venue is innovative and captivating, with a circular auditorium that offers an immersive viewing experience. The theatre is also known for its state-of-the-art facilities, excellent acoustics, and a seating capacity that can accommodate over 1,000 spectators.
 ### How to get to the Gillian Lynne Theatre:
 The Gillian Lynne Theatre is accessible through various means of transportation. The closest underground station is Holborn, which is a short five-minute walk to the venue. Alternatively, you can also reach the theatre by bus, with the following routes: 1, 59, 68, 91, 168, 171, 188, 243, and 521 stopping near the venue. If you prefer to drive, the nearest car park is located at the Bloomsbury Square Car Park.
 Please note that due to the theatre's central location, it is advisable to check for any possible travel disruptions or roadworks before your journey.

Gillian Lynne Theatre - LON

Gillian Lynne Theatre

The Gillian Lynne Theatre is a prestigious venue in London's West End, offering world-class performances and excellent facilities. It's easily accessible via public transportation.

Kiss Me, Kate - LON [10471]

Kiss Me, Kate

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__Cole Porter’s__ hit musical starring the multi award-winning __Adrian Dunbar__ (*Ridley, Line of Duty*) and Broadway musical superstar and Tony Award winner __Stephanie J. Block__ (*Into The Woods, 9 to 5*).

The Barbican Centre in London is an internationally renowned performing arts venue. Towering majestically in the heart of the city, it embodies dynamic entertainment and embodies the vibrance of London's cultural scene. Since its launch in 1982, the theatre has been wooing art aficionados with its avant-garde performances and world-class amenities. It houses multiple venues including a concert hall, theatres, art gallery, library, and a cinema. It rosters an impressive range of programming from contemporary to classical, covering theatre, dance, film, and music. The theatre venue stands as one of its chief attractions, boasting superb acoustics, excellent sightlines, and a generous capacity for large scale performances. The stage has been graced by numerous prestigious performers and companies. On top of being a go-to place for night outs, the Barbican Centre is an architectural marvel in its own right. The brutalist architecture sets it apart, making it a landmark on the city skyline.

## How to get to the venue
The Barbican Centre is located on Silk Street, London, EC2Y 8DS. It is conveniently accessible by public transport. Barbican, Moorgate, St. Paul's and Mansion House stations are the nearest tube stations. There are also ample bus routes that stop nearby. For those who prefer to drive, there are several car park options available in the area. The centre recommends using public transport where possible due to limited parking.

Barbican Theatre - LON

Barbican Centre

The Barbican Centre, located in London, is a world-class performing arts venue renowned for its diverse programming and brutalist architecture.

Born in London in 1993, Charlie Stemp has rose to prominence as one of the West End’s leading male actors, best known for starring in Half a Sixpence and Mary Poppins.

Charlie Stemp - Stars on Stage | London Theatre

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The Prince Edward Theatre opened in 1930, and was named after the then Prince of Wales, who went on to become Edward VIII. In 1978, Andrew Lloyd Webber and Tim Rice’s new musical, *Evita*, made a star of its leading lady, Elaine Paige. Paige then starred in *Chess* and *Anything Goes*, both at the Prince Edward Theatre.

The building was completely refurbished in 1992. Bernard Delfont and Cameron Mackintosh now owned the theatre, and spent over £3 million on remodelling the auditorium, improving the acoustics and increasing the size of the stage. The new Prince Edward Theatre was unveiled in March 1993 with the opening of *Crazy for You*, a Gershwin musical transferring from Broadway.

Delfont Mackintosh Theatres Ltd. continue to renovate the theatre between productions, making the faceight-yearemplary and one of the most desirable spaces in the West End.

## Prince Edward Theatre Seating Information

The auditorium has three levels – the Stalls, Dress Circle and Grand Circle. In the Stalls, patrons will find excellent legroom throughout, and a gentle rake throughout the auditorium allows for excellent views. 

The Dress Circle does not offer the same level of legroom, but again offers great views. The last five rows will have their view obstructed by the overhang of the, Grand Circle. 

The Dress Circle loges are a unique feature to this theatre — they take on the form of individual, tiered boxes but with a direct view of the stage rather than the side-on view usually associated with box seats. 

The Grand Circle offers excellent sightlines as the seats are fairly steeply raked.

Prince Edward Theatre - London Theatre

The Prince Edward Theatre, opened in 1930, hosted famous musicals, underwent major refurbishment in the '90s, and provides excellent views from all seating levels.

Prince Edward Theatre - TodayTix

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